And now for the bodice portion of this project . . .
Most of the shaping was accomplished with pleats.
I cannot be sure exactly how the inspiration for this dress was drafted, but I rather like what I came up with.
So the muslin came off the dress form and was marked up.
Using tracing paper, I transferred those lines onto my bodice piece.
For the back bodice, I traced Vogue 1043 and Vogue 8701 on the same piece of muslin, doing my best to match up important points like waistlines and side seams, etc.
And then I put the whole thing together.
My first attempt was not terrible, but there were a few things that needed to be fixed.
The only major problem was that the back neckline was too wide. And I also had to straighten out the side seam so it sits straight on the body. (When I look at the corrections on the flat pattern, the errors are rather obvious, but that did not keep me from missing them the first time around.)
And then, because all of those lines were starting to make my eyes cross, I made a second version.
This actually works quite well, so I am going to rip out the zipper, attach the skirt to the bodice, and hope for the best!
in awe of your draping skills - this is going to look amazing!
ReplyDeleteLooks like it's going to be fantastic! Well worth all of that effort with the muslins.
ReplyDeleteLooks like this will be gorgeous.
ReplyDeleteOverheard Conversation #24
ReplyDelete"She sure is doing a whole lot of muslin puzzlin'."
"Mmmm hmmmmmm."
"Combine that with her draping and pattern filching handiwork, and one has to wonder what her end game is."
[pfffft] "It's patently obvious, she seeks to become a bodice goddess."
"This one is pulling out all the stops, and putting all the pieces together quite smartly!"
"Take it as a sign that we most certainly are in dangerous times."
"THAT Laura Mae!"
"Yes, THAT one."
Draping tastic. It's looking very good.
ReplyDelete